Go back in time to December 2011 at The Box in Crewe. Here we said goodbye to Face Value, a regular on the Genesis tribute band scene. Just three months later, Face Value re-emerged at the Pacific Road in Birkenhead with a new drummer and for the first time…a bassist! All of this under a new name – Mama.
So here we are, 19th May 2012 back
at The Box. Only this time, the original guitarist Chris O’Connell had another
gig to perform so we had the keyboardist’s brother, Mark Comish to stand in for
the night. More about that later.
We kicked off proceedings with Duke’s Medley,
the old favourite opening number from the Face Value days, and it was clear
from the outset that the sound was much improved now with Mark Conroy on bass
and James Cooper featuring a ‘proper’ drum kit. The introduction from Behind
The Lines had the original strength that I felt was missing before. We’re back
in business!
Next came Turn It On Again and you couldn’t
fail to notice how happy John Wilkinson was to be back up on stage. Despite the
audience numbers being small, they were more than receptive from the start. Not
surprising since the majority of the crowd remember the Face Value days and
were happy to see them back on stage again – albeit with a couple of
differences. Abacab and No Son Of Mine came up next which were well received.
We get to Many Too Many, the “greatest
Genesis song never to be a hit” this version was great. Many Too Many segued
very nicely into the closing section of The Musical Box, which has always been
a favourite for many Genesis fans and also features one of Genesis’ finest
individual moments so the expectations to get this right were high. They
certainly didn’t disappoint. The original aggression of the song was back and
went down a storm with the audience.
A little light relief with Misunderstanding and
then the first foray into Genesis “Solo
Land” with a very lively
All I Need Is A Miracle, which replaced Jesus He Knows Me. This was followed by
making a visit to where the bluegirls live with Ripples. The vocals were superb
and Mark Comish’s guitar solo sent shivers down my spine. I’m sure I’m not the
only audience member that night that felt the same way. We carry on with the
ballad theme with Follow You Follow Me which always goes down well.
To close the first half, we had Domino, which
has become a huge favourite with this audience member! This gave every member
of Mama a chance to showcase their musical talents. I do think that Domino
proved to the doubters that the Mama sound was much more complete compared to
Face Value.
After the interval, we got the eponymous
Mama, which was terrific. We descended into Genesis solo territory with
Solsbury Hill. I was a little sceptical with John W’s voice sounding so much
like Phil Collins’ that it scares me sometimes; that the song wouldn’t sound
right. But I was pleasantly surprised that they were brave enough to include it
in the setlist so early on, let’s just say we now know how Solsbury Hill would
sound if Phil Collins sang it. The Secret World look did help I will admit!
Then came Squonk, which I thoroughly enjoyed
as it’s a personal favourite. You couldn’t fail to notice the bass as you could
feel the vibrations through the floor, which we never had at Face Value gigs.
Having Mark C there really made you appreciate how good a bassist Mike
Rutherford actually is! We head back into Genesis solo land with Spectral
Mornings, a very ambitious choice for the first night. Mark C didn’t disappoint
with a performance that Steve Hackett would be proud of, despite not having any
actual rehearsal time with Mama beforehand. That feat in itself was impressive.
Next came ‘audience participation time’ with
Throwing It All Away, I have no problem with the song at all, however, the
“dee-da-daaays” do carry on for too long. I know that was what Phil Collins did,
but it still annoys me nonetheless. My one criticism so far! It did keep the
Phil Collins fan contingent happy though, they were further appeased with the
last foray onto solo ground with In The Air Tonight, which is my all-time
favourite song, so I was expecting a lot from this one. James C’s drums really
came into play and sounded even better than in the Face Value days. Nothing
detrimental to the original electronic drum kit used before, I simply feel that
the electronic kit didn’t do In The Air Tonight true justice.
Now we get to my personal highlight of the
night with a piece that Face Value fans have been asking to hear for some time.
Peter Gabriel era fans were catered for with a barnstorming performance of the
In The Cage medley, probably the best medley Genesis ever did. I failed to find
any fault with it and sent shivers down my spine once again. John Comish was
solid on keyboards considering the very complicated pieces favoured by Tony
Banks on innumerable occasions. Another pivotal moment in Genesis history and
Mama did it justice and I thought it was very ambitious to try a complicated
number like In The Cage so early on.
The medley segued into Afterglow, which is
another fan favourite, my throat was very sore from singing along by this
point. The ‘nostalgia-fest’ continued with Los Endos, which again showed every
band member’s capabilities. I think that James C got to indulge on the drums
and really showed what a great drummer Phil Collins was. Los Endos went down
well in the Face Value days and continued to do so with Mama.
We jumped forward in time with the classic
Genesis closing numbers with Tonight, Tonight, Tonight and Invisible Touch,
which again kept the Phil Collins fan contingent happy and the audience was
jumping by this point.
We head back in time, (Doctor Who would’ve
been exhausted right now) back to the Peter Gabriel era for the encores of
Carpet Crawl, with very soulful vocals and I Know What I Like, with more
audience participation during the chant to Stagnation, which kept both Gabriel
and Collins fans happy. This audience certainly knew what they liked after this
performance.
There are a few minor tweaks here and there,
but since it was only their fifth gig, I’m sure we can let Mama off just this
once. Judging by their performance, which I thought sounded even better than
the first night, they’ll go far and Mama/Face Value fans will have plenty to
look forward to.
If you haven't seen these guys yet then I strongly urge you to!
Until next time....
